1.27.2010
1.26.2010
R#09's Top 25 Video Games of All Time! (6-2)
1.24.2010
R#09's Top 25 Video Games of All Time! (10-7)
1.23.2010
R#09's Top 25 Video Games of All Time! (15-11)
1.22.2010
Are card games immortal?
Reposted from The Mast.
Walking into a backroom trading card game tournament, one asks oneself two questions: The first is, “What are all of these people doing here?” The second is inevitably, “Why does it seem like a majority of them don’t regularly bathe?”
R#09's Top 25 Video Games of All Time! (20-16)
1.21.2010
R#09's Top 25 Video Games of All Time! (25-21)
This is by no means a definitive list of the greatest video games of all time. No, not by a long shot. These are simply the games that I, personally, enjoy playing the most. Many of them are games I grew up playing, some I still play regularly today — and still others are more recent favorites. But rest assured, these are some of the greats — the games that have no equals.
1.19.2010
'Eli' has action, heart
11.29.2009
Video Review: Paranormal Activity
8.05.2009
Phillips, Scott to take over At the Movies
A year after its extreme makeover of "At the Movies" went over like "Heaven's Gate," Disney's ABC Media Productions said Wednesday it is overhauling the Chicago-based syndicated TV program yet again in hopes of reconnecting with its respected past.
Gone are Ben Lyons of E! Entertainment Television and Ben Mankiewicz of Turner Classic Movies, the cable hosts Disney chose last summer to front what it called "the next generation of the series," in favor of a return to dueling newspaper film critics, Michael Phillips of the Chicago Tribune and A.O. Scott of the New York Times.
Thank the Powers That Be! Finally, some professionals who know what they're talking about. No more of Mankiewicz's blabbering, and I hope to never look upon the demonic visage of Ben Lyons as long as I shall live. I loved Phillips' and Scott's stints in Ebert's stead with Richard Roeper, so here's to hoping the best show about movies stays the best show about movies! Updates as they are needed.
7.28.2009
Arcane Legions to revolutionize miniature gaming
Miniature gaming has never quite broken into the mainstream, and for good reason. The time, money, and effort required typically turns casual gamers away. Warhammer 40k and HeroScape, arguably the two most well known products of the genre, both have their fair share of issues. Warhammer is time-consuming and downright costly, with even the smallest units costing upwards of $20. HeroScape, though admittedly cheaper and more accesible to younger and more casual gamers, is too simple in its mechanics to offer strategists much to go on.WizKids, a company sadly no longer in existence, sought to bridge this gap years ago with games like Mage Knight and HeroClix, two amazing ventures into collectable miniatures. Mage Knight was the forerunner — its miniatures were pre-painted, highly detailed, affordable, and sported handy dials on their bases that tracked health, damage, and special abilities. HeroClix carried on the tradition, allowing players to pit their favorite superheroes against one another.
Sadly, the games didn't last, and WizKids became no more. And since then, the genre of miniature gaming has grown cold.
But now, the guys from WizKids are back, and they're releasing a new, state-of-the-art miniatures game called Arcane Legions. This game seeks to bring miniatures gaming back into the mainstream with affordable, playable miniatures that strike a perfect balance between accesibility and complexity.
The setting is unique enough — ancient factions battling for supremacy in a magic-infused world. But it's the gameplay that really strikes a chord with me. It was after I looked into this game that my ears perked up — this could be something big.In the year 42BCE, a mysterious magical force was unleashed upon an unsuspecting world. The miasmic shockwave of pure otherworldly magic spread outward from a point somewhere in the middle east, and in a few short hours plunged the entire globe into chaos. In those terrible moments, human civilization changed forever.
Magic infused their very bones, manifested in their children, came unbidden to the fingertips of their women, and plagued their countryside in uncontrolled bursts of power. Ordinary beasts of the wilderness were turned by these bursts into fanciful creatures of legend. Entire tribes of humans from all corners of the world were altered by the flood of uncontrolled magic, changing before the very eyes of their friends and neighbors into elves, dwarves, orcs, trolls, centaurs, and even minotaurs. Creatures that normally existed between our reality and others were shunted into this one, leaving ghosts, faeries, and other magical creatures stranded in our world in ways they were never intended to be. Even remnants of the Old World, gods of the ancients and their ken, were awakened from their immortal slumber through this great cataclysm to trouble mankind once more.
The world had changed forever.
The year is now 37BCE and the middle-east sits at the center of a vast struggle to control humanity’s fate. Three powerful nations have harnessed the power unleashed by the day of chaos, and they struggle to claim dominance over the known world. Their arcane legions are now yours to control.
The game's press release details the mechanics and marketing of the game:If you ever wondered what happened to the guys from WizKids just take a look at this game and you will know what they have been doing with the downtime after WizKids closed their doors.
Players each field "bases" of variable sizes (Sortie/small and Formation/large) with individual figures inserted into starting positions on the base. The goal is to control victory point areas and inflict losses on the opponent. Movement and battle resolution are conducted through a unique formation management mechanic that allows players to move figures around on the unit bases to increase either movement/melee/ranged combat at the cost of losing capabilities in the other areas.
Currently wrapping up playtesting as of May 2009. Arcane Legions will be available in September of 2009. Initially, look for 3 different factions (Egyptians, Romans, and Han Dynasty).
Figures are highly detailed true 25mm made from PVC 105. Common figures are unpainted with colored tempo prints on banners and shields, while all the uncommon, rare and Commander figures (Booster Pack contents) are fully pre-painted. The game is designed to use both types. There are 9 different unpainted common figures for each faction and at least 20 different fully painted premium figures for each faction. If you buy a legion bundle of a faction you receive around 70 prepainted figures, whereas buying one of each army pack gets you about 54 unpainted figures.
With more than 110 figures, the Starter Pack includes small armies for all three factions and enough formation bases, sortie bases and base cards for a complete two player game - all for $34.99
The Army Packs contain 40 common soldiers - $14.99
The Cavalry Packs contain 15 mounted figures - $14.99
The Booster Packs contain 5-10 (depending on the size) Leader / special figures and their associated base cards, plus five additional formation base cards for use with figures from the Army and Cavalry Packs - $11.99
All Arcane Legions products (with the exception of the Starter) can be purchased faction specific.
- Formation bases make for quick, easy movement and static abilities and bonuses. No more arguing over formations or groupings, and no more moving one unit laboriously after another. Units move together, stay together, die together.
- It's possibly the most affordable, reliable miniatures game in the history of the genre. Common units can be bought for less than dollar a unit in army and cavalry packs, while commander and special units come in faction specific boosters. That means no more digging around in a booster box for useful units — because they are faction specific, you will always get units you can use.
More info on the game:
BoardGameGeek
Arcane Legions
7.25.2009
Comic-Con: Days Two & Three
Mickey Rourke as Whiplash in Iron Man 2. Oh, no, I'm sorry. I'm being told this a candid shot of Rourke leaving his home on any given Tuesday afternoon.- Gary Oldman let slip at a panel that they might, in fact, be filming a follow-up to The Dark Knight next year, for release in 2011. He later backpedaled in an interview, stating that he had no idea when they were filming, but that it would be "soon." More here. Sounds like Oldman was just stirring up the fanboys, but the notion of a third Nolan film filming soon is intriguing. Could this mean a script (complete with villains) is nailed down?
- Halo Legends, an upcoming anime based on the events of the Halo trilogy of video games, premiered. Check it out here.
- Quint over at AIC has a solid write-up of the Iron Man 2 panel with director Jon Favreau. Mickey Rourke will be playing Whiplash, and some of the footage shown included an action sequence involving the character and Robert Downey, Jr.'s Tony Stark. However, the biggest reveal of the panel was confirmation of the appearance of War Machine, whom comic fans will recognize as the armored alter ego of Rhodes (played by Don Cheadle this time around). It's a good read, so check it out.
7.24.2009
Alice trailer making the rounds
I'm kinda feeling put-off by how much they're banking on Depp's Mad Hatter. I hope the movie doesn't revolve around him for once. Also keep an eye out for obvious 3-D effects (the Cheshire Cat, Depp's Hatter unrolling rugs, et cetera).
1.16.2009
Exciting news, not-so exciting news
My spies have informed me of two things this morning. One: the legal dispute delaying Zack Snyder's Watchmen adaptation has come to a close, with Warner Bros. and Fox coming to an agreement. And two: now that Fox has lost its white-knuckled hold on one franchise I love, it's set its sights on a new one: Cowboy Bebop.
Yes, that's right. Fox has secured the rights to Cowboy Bebop and wants KEANU REEVES in the lead role of bounty hunter Spike Spiegel (see preliminary casting photo to the left -- lulz) My guess is that the soundtrack won't even feature Yoko Kanno. I also anticipate a happy ending.
I'm glad Watchmen is out of limbo and headed for theaters, but I am not looking forward to my least favorite studio producing an adaptation of my favorite anime.
10.26.2008
Bush made human
9.20.2008
Metallica has returned
“What don’t kill ya, make ya more strong,” growls Metallica vocalist and rhythm guitarist James Hetfield. These lyrics, uttered on the track Broken, Beat & Scarred, sum up the band’s new album, Death Magnetic, which just might be their best effort since 1991’s self-tilted “black” album. After 17 years of disappointing albums and lukewarm critical reception, Metallica is back.The 2001 departure of longtime bassist Jason Newsted sparked a series of heated conflicts within Metallica, culminating in Hetfield’s admission into rehab for alcoholism during filming of the documentary Some Kind of Monster. But in 2003, the kings of thrash metal were back in the studio, recording tracks for St. Anger. Fans were psyched to hear what this clean and sober Metallica would have to offer.
The result was less than stellar. St. Anger was almost universally lambasted by fans and critics alike. It was a thrown-together effort that lacked both the speed and the ferocity of 80s-era Metallica. Gone were the solos, replaced by lazy, middling riffs and an infamously “steely” sounding snare drum. It seemed that the Metallica the fans had come to know and love was gone, replaced by a handful of 40-something sellout has-beens who neither cared for nor were aware of their fanbase.
But Death Magnetic, released Sept. 10, is the album Metallica fans have been waiting 17 years for. This is a return to Metallica’s 1980s heydays—longer songs, blistering guitar solos, aggressive drumming, growling vocals and intense bass backing. Death Magnetic has more in common with albums like …And Justice For All and Master of Puppets than any of the band’s 90s fair.
After a rough few years of rehab and therapy, followed by a dismal album, it seems what hasn't killed Metallica has only made it stronger.
The album opens with "That Was Just Your Life," a track reminiscent of 1988’s "Blackened" in its quiet, slower-paced beginning digressing into a raging torrent of guitar and drummer Lars Ulrich’s pedal-laden madness. It’s almost shocking to hear Metallica’s raw 80s style—albeit in the drop C tuning of St. Anger.
Next up is "The End of the Line," a song many fans might be familiar with from Metallica’s recent show in Seoul. It’s a solo-heavy track with fancy fretwork courtesy of both Hetfield and lead guitarist Kirk Hammet. This was the first track on the album that made me realize I was listening to something special.
Other notable tracks include "Broken, Beat & Scarred," "All Nightmare Long" and the single, "The Day That Never Comes," a song evocative of the classic track "One." And, for the first time since 1988’s …And Justice For All, Metallica included an instrumental track (and a damn good one at that), entitled "Suicide and Redemption."
There are some letdowns, though. "The Unforgiven III" feels unnecessary and unfinished, and generally out-of-place on Death Magnetic. It sounds like a remnant of their more mainstream 90s style, and is the only real disappointment on the album. "Cyanide" is also fairly bland, but both tracks are quickly forgotten after songs like "The Judas Kiss" and "My Apocalypse" follow to blow them away.
Backup vocals are virtually nonexistent on Death Magnetic, though maybe we should be thankful, considering the absence of Newsted, the only member of the band other than Hetfield capable of carrying a tune. But Robert Trujillo, Metallica’s new beast of a bassist, makes his official record debut here, and most definitely proves himself with furious finger-style plucking. He is showcased nicely in a few tracks, notably "The End of the Line."
Hammet is at the top of his game, shredding solos and weaving in and out of Hetfield’s furious rhythm guitar. The pair of them create a fiery duel of monstrous riffs. Ulrich reclaims his throne as well, divorced from that awful snare drum and doing what he does best—double bass-pedal and lots of it. As songwriters, the members of Metallica have produced some great tracks, with superb instrumentation and lyrics that hearken back to the golden days of thrash metal. The navel-gazing than ran rampant throughout St. Anger is gone—these musicians have gotten over themselves and returned to their passion for music.
This Metallica fan was one album away from giving up on the fearsome foursome, but my love for the band has been rekindled with Death Magnetic, an album that pulls style right out of the 80s and modernizes it for fans old and new. It’s hard to believe it, but these middle-aged rockers have put out a truly kickass album. Despite a few bland tracks, Death Magnetic is, hands-down, the best Metallica album in 17 years, and well worth a listen for any fan, loyal and apprehensive alike.
You can listen to the album streaming in its entirety on the official Metallica website.
9.11.2008
Lou Lumenick is a terrible human being
The audience at the Toronto Film Festival press screening of Slumdog Millionaire didn't know they were also going to get live entertainment Saturday.Now, just in the interest of journalistic fairness, here's Ebert's response.
There'd been lots of Oscar buzz about Danny (Trainspotting) Boyle's flick, about a poor Mumbai guy who wins a girl and becomes a national hero by going on a game show. So the screening room was packed.
Soon after the lights went down, a source tells us, "a man in the audience started yelling, 'Don't touch me!' People looked around and shrugged. Ten minutes later, the voice yells again, 'I said don't touch me!'"
Again, people shrugged off the disturbance. But a few minutes later, says our source, "the guy stands up in the darkness and thwacks the guy behind him with a big festival binder. He hit him so hard everybody could hear it. Everyone freaked out and turned around."
The thwacker? New York Post film critic Lou Lumenick.
The thwackee? Esteemed Chicago Sun-Times film critic Roger Ebert.
After battling thyroid and salivary gland cancer for years, Ebert, 66, can no longer speak.
"Apparently, Roger was just trying to tap Lumenick on the shoulder to signal him that he couldn't see the movie," surmises our source. "He was trying to ask him to move over a bit."
Though Lumenick seemed surprised to see whom he had struck, he offered no apology, according to another source.
God, how I hate Lou Lumenick.
9.04.2008
In a world without the Voice
You might not know who Don LaFontaine was. If you had seen him on the street you likely would not have recognized him. His name did not evoke the grandiose of action heroes, the fluttering pulses of heart throbs or the excitement of socialites. But then again, LaFontaine was not an artist in the spotlight. He operated not in front of a camera, but behind a microphone, on soundstages and in recording studios. He was an obscure name in the film and television industries. But you know Don LaFontaine. You have grown up hearing his voice.In his 33 years in the entertainment business, LaFontaine (known to many as the Voice) recorded the voiceovers for 750,000 TV commercials and over 5,000 movie trailers. That gravely baritone, so uniquely his, ushered in the fall and summer movie seasons and riled the audience during the coming attractions. LaFontaine was as much a part of filmmaking as anyone. He was a tried and true veteran of the industry. And I already miss him.
LaFontaine died Sept. 1 of complications due to a blood clot in his lungs. The 68-year-old continued working well into his later years, even making a rare on-screen appearance in a Geico commercial in 2006. It was a self-parodying performance that poked fun at the often intense voiceovers of movie trailers and that cliché phrase that LaFontaine himself made so ridiculously well-known: “In a world where…”
“We have to establish the world we are transporting [the audience] to,” LaFontaine said of the phrase in 2006. “That's very easily done by saying, ‘In a world where... violence rules.’ ‘In a world where... men are slaves and women are the conquerors.’ You very rapidly set the scene.”
Narration is not as common in movie trailers nowadays. More often, the trailer will be accompanied by text or simply rely on snippets of dialogue from the film. But as far back as the 30s and continuing long into the 90s, movie trailers were narrated by people like LaFontaine. And there is no doubt, no feasible argument—LaFontaine was the most gifted artist in his field and shall remain uncontested even after his death.
Personally, losing LaFontaine has affected me greatly. As a child, it was his distinct voice that got me excited at the cinema. In my head, LaFontaine narrates my life: “In a world where Matt is late for his 9:15 class and didn’t eat breakfast.” The man was a presence. He was everywhere, dabbling in every aspect of entertainment, a voice so familiar and yet unknown to most. With trailer voiceover phasing out and now this untimely passing, I feel as though it is the end of an era.
Films are advertised differently now. One has only to look at the viral campaigns of films like Cloverfield or The Dark Knight to realize that the business has changed. But LaFontaine will not soon be forgotten. He leaves behind a 33-year legacy of consistently amazing work. In terms of his impact, I think the obituary says it best:
“The omnipresent baritone and gravely bass undertones of Don LaFontaine’s distinctive voice had the unique ability to seamlessly embellish big-screen kisses, slice through over-the-top explosions, perfectly pair with robust musical scores, glide alongside car chases and effortlessly co-star with any A-list talent in Hollywood.”
LaFontaine was often quoted as saying that he did not care if people knew his face or his name, but that he hoped they knew his voice.
8.29.2008
Max Payne trailer is up: my thoughts
The first full-length trailer for Max Payne, starring Mark Wahlberg, is up now on Yahoo. The film will be an adaptation of the first game in the Max Payne franchise, in which the titular manic-depressive detective infiltrates a drug ring dealing in the powerful hallucinogen known as Valkyr. Watch it here.I am very mixed on this film. Max Payne is one of my favorite PC games. It's a heavily stylized game, like a John Woo-directed pulp noir. The game itself is very cinematic, both in its style and story. I figured it would lend itself well to cinema, but this trailer doesn't particularly give me hope. Payne's signature gravely noir-esque voice-over just comes off as ridiculous on screen, and Wahlberg (who I really enjoyed in The Departed) seems wooden in the role. There's also some weird moments that look as though they were pulled right out of the movie Constantine. I'm assuming these are hallucinations caused by the Valkyr drug, but they're still incredibly out-of-place. The director, too, doesn't make me feel any better. John Moore hasn't had much experience outside of big-budget remakes, so I'm hesitant to even trust him with the source material.
The film looks slick though, with grainy tones and some killer cinematography. But at this point, I'm calling a bomb, critically and commercially. I don't think this film will be good, despite the awesome games it hails from.
























